The Emotional Response Evoked In The Female Audience During The Viewing Of The Bold And The Beautiful.This essay The Emotional Response Evoked In The Female Audience During The Viewing Of The Bold And The Beautiful. is available for you on Essays24.com! Search Term Papers, College Essay Examples and Free Essays on Essays24.com - full papers database.
Autor: anton • September 11, 2010 • 10,092 Words (41 Pages) • 720 Views
CHAPTER 1: THE PROPOSAL
1. Proposed Title
The emotional response evoked in the female audience during the viewing of The Bold and the Beautiful.
2. Introductions and Orientation
The study of people's interests in soap operas and their emotional link to them has been a long-standing fascination. Viewers across the globe, tune in daily to the likes of soap operas, such as The Bold and the Beautiful. According to studies done on soap operas by Pitout (2001: 348) the interwoven storylines "force" viewers to keep on watching to prevent them from missing out on that ever crucial scene, that can drastically change the entire story line. According to the recent publication of Screen Africa (2004:43) on the Audience Ratings (AR) of the South African television channels SABC 1,2 and 3 as well as M-NET, all of the highest-ranking programmes are soap operas and the highest ranking foreign programmes are Days of our lives and The Bold and the Beautiful. The AR for The Bold and the Beautiful for December 2003 was 12.29. It states that one rating point of all viewers represents approximately 145590 viewers.
The audiences are a crucial part in determining the success of a particular series. Since the study of audiences began, there have been many speculations regarding the influence of the media over its audience. According to Pitout (2001: 243), " In the early days of audience effects research there was the tendency to treat the media as "all-powerful" in determining the way audiences think and act". Early audience research was based on the perception that the audiences are passive receivers of the mass media message. This was supported by the hypodermic needle theory. However, this theory was developed for the audience analysis for radio and does not apply to television. As the research progressed, the two-step flow theory was developed in the 1950's. J.T Klapper (1960) pointed out in Fourie's chapter on The Effects of Mass Communication (Fourie, 2001: 295), that the audiences of the mass media, television are passive receivers, which can be influenced, but are also capable of thinking for themselves. Therefore they are selectively influenced. In the resent theories on audiences such as the reception theory, states that the audiences are actively involved in the reception of messages. (Pitout, 2001: 245).
The creative field of Audio Visual is a vast one. Within this field, there are different types of styles or chapters, known as genres, by which the television programme or film can be identified. According to Karam (2001: 459) "films or television programmes that belong to the same genre have certain typical features in common." She further states, "these features may relate to the subject matter, the setting, or even the style of performance. The audience will therefore have certain expectations about a film or programme, according to its genre."
For the purpose of this research proposal, the television genre of soap operas will form the basis upon which research shall be done. According to the Oxford English Dictionary (1995: 1127) a soap opera can be defined as a "television or radio drama with continuing episodes about the events or problems in the daily lives of the same group of characters."
The audiences of such genres get intensely involved in the story lines and more than often form imaginary relationships with the characters. This leads to a strong emotional bond with the particular soap opera. For the purpose of this study the long running American soap opera The Bold and the Beautiful, shall be the core for the study.
According to the CBS website, The Bold and the Beautiful is the longest running television show of the network. It first aired on the 23 March 1987. It is produced by Bell-Phillip Television Productions Inc. and still has four of its original cast members. It has an estimated 450 million viewers and is broadcast in 98 countries across the globe.
To aid in the understanding of this emotional soap opera phenomenon, the theoretical framework will consist of three theories of the social psychology of media studies, which apply to audience reception, research and understanding. These theories include; Reception Theory which has interests in the way that the viewer interprets media messages, The Uses and Gratification Theory, which states that users, are actively involved in the selection of messages, to satisfy individual needs, and The Socio Psychology of Media Consumption that concerns its self with the cognitive activity that occurs when viewers consume media messages. (Pitout, 2001: 243-283)
3. Research Problem
The research problem is to determine:
What type of emotional response do the female audiences have to the soap opera, The Bold and the Beautiful?
4. Research Questions
The following research questions are focused on seeking the answers to the above research problem.
* What types of emotions are evoked during the viewing of The Bold and the Beautiful?
* Do the viewers identify with the characters?
* Do the viewers identify with the situations in The Bold and the Beautiful?
5. Research Aims
* To determine the types of emotions are evoked during the viewing of soap operas.
* To determine if the viewers identify with the characters.
* To determine if viewers identify with the situations.
6. Hypotheses/Theoretical Statements
Female viewers of the soap opera The Bold and the Beautiful experience a variety of different emotions whilst watching the narrative unfold. Through these emotions the viewers identify with the characters and the situations within the particular storyline.
7.1 Literature Review
Three theories will form the basis upon which the research will be based. The first is Reception Theory. Reception Theory according to Pitout (2001: 244) attempts to define how the audience interprets messages as a result of negotiation between the programme and the viewer and what the viewer then