Why Was Florence Considered Important For Culture And Arts?

As the birthplace of the renaissance, Florence, Italy has been the innovator and contributor to humanityÐ'ÐŽÐ'Їs freedom from the medieval time. With its various collection of arts, landmarks, and architecture, Florence, Italy has been labeled as a substantial center for culture and the arts. As an amalgam of past and present, Florence has given birth to many talented people such as Michelangelo, Leonardo DaVinci, and Donatello. With all its past preserved and shown as a living museum, many who visit are inspired by FlorenceÐ'ÐŽÐ'Їs alluring beauty.

Florence has always been an admirer for the arts in various hues, solely due to the contributions of the Medici family in creating the grand palaces and funding monumental works of art. The Medici family dominated Florence nearly three centuries, and as the first patrons of the art, they sparked an intellectual movement in art throughout Italy and Europe. It was the Medici family who funded most of the arts during the renaissance. Art for the government, commercial, and church buildings were all contributions of the Medici family. Especially their Ð'ÐŽÐ'opalacesÐ'ÐŽÐ'± were filled with large collection of paintings and lavishly styled neoclassical architecture influenced Italy ever since it had been created.

By the 1700s, Florence was the mandatory stop for young wealthy British aristocrats for studies and purchasing of artwork. That Florence, Italy was an epitome of classical world, it was very important for young men to study its history and the arts. Soon British men were not the only people that visited Florence, but many American stepped onto the Florence soil and absolutely fell in love with the large city, luxurious hotels, villas, and mostly the beautiful view. Nathaniel Hawthorne, an American writer fell inspired at the serene view of the hill top view of Florence, in his later years wrote the book The Marble Faun.

Other than literature, many unimaginable building structures emerged from Florence.

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