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Autor: anton • March 25, 2011 • 618 Words (3 Pages) • 718 Views
One of the main themes of the novel is the allure of war. This trope, common in war literature, is made more complex here as OÐ²Ð‚™Brien adds the layers of a Conrad-esque Ð²Ð‚Ñšheart of darknessÐ²Ð‚Ñœ fascination in the character of Mary Anne.
The seductive allure of war is inextricably linked to the tendencies of human nature in OÐ²Ð‚™BrienÐ²Ð‚™s novel. War, more specifically the act of killing, acts as a catalyst for some individuals, causing them to become primal versions of themselves, to become less human, to become killing machines. OÐ²Ð‚™Brien revisits this idea numerous times throughout the text, adding subtle variations on the theme as he introduces different characters that struggle with the same core issue. OÐ²Ð‚™Brien initially creates this tension by offering the counterpoint of OÐ²Ð‚™BrienÐ²Ð‚™s daily work duty of declotting slaughtered pigs with his anxiety about his imminent service as a soldier in Vietnam. OÐ²Ð‚™Brien merges the ideas of killing with animals, a symbolic linkage he revisits by describing the soldiers of Alpha Company as animal-like, Ð²Ð‚ÑšhumpingÐ²Ð‚Ñœ their packs and Ð²Ð‚Ñšsaddling upÐ²Ð‚Ñœ their gear.
OÐ²Ð‚™Brien struggles to hold onto the obverse of this animalism, this barbarism, which is a sort of hyper-civility. He succeeds in doing this by continually offering a highly self-conscious and self-aware cultural criticism that frequently draws on the archetypal works that are the foundation of western civilization like PlatoÐ²Ð‚™s Republic.
Contrary to the protagonist Ð²Ð‚ÑšOÐ²Ð‚™BrienÐ²Ð‚™sÐ²Ð‚Ñœ experiential insulation from Vietnamese culture, which is a kind of Ð²Ð‚Ñšuncivilized otherÐ²Ð‚Ñœ according to the terms of U.S. rhetoric that largely defined the war, Mary Anne Bell is a character who deliberately strove for cultural immersion. For Ð²Ð‚ÑšOÐ²Ð‚™Brien,Ð²Ð‚Ñœ the landscape and the Vietnamese occupying that landscape, such as the elderly Vietnamese men who watch him revisit the spot where Kiowa perished, are mostly incidental. Mary Anne actively sought out the ways of the Vietnamese, not just to observe from a distance, but to participate in if possible. Mary Anne, who should have behaved according to accepted Western norms, becomes so much a part of the landscape of Vietnam that she becomes Ð²Ð‚ÑšunnaturalÐ²Ð‚Ñœ to Mark and Rat. For example, the humming they hear coming from the GreeniesÐ²Ð‚™ hut is freaky and unnatural, somehow not human, but it is Mary AnneÐ²Ð‚™s humming. And particularly as a female, she should be Ð²Ð‚ÑšdomesticatedÐ²Ð‚Ñœ and behave in accordance with the readersÐ²Ð‚™